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Учимся писать

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Evan Marshall

By following this 16-step writing program, any writer can fulfill the dream of completing a novel that is ready to submit to agents and editors. No matter what type of novel the reader wants to write--western to romance to literary to fantasy--this program will work. It breaks down the novel-writing process into small, manageable tasks that even the most inexperienced writers can achieve. Readers will learn how to find a hook, create a conflict, develop a protagonist and set her into motion. Formerly an editor and now a successful literary agent, Marshall knows the marketplace. His expertise illuminates every subject, from insightful advice about choosing the right story to strategies for building that story with an eye toward publication. He includes plenty of diagrams, charts and section sheets to make following the program easier, and there's even a section with proven advice and information for writing effective query letters and submitting manuscripts for...



E.M. Forster

Forster’s lively, informed originality and wit have made this book a classic. Avoiding the chronological approach of what he calls “pseudoscholarship,” he freely examines aspects all English-language novels have in common: story, people, plot, fantasy, prophecy, pattern, and rhythm.


Wayne Booth

The first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms — such as "the implied author," "the postulated reader," and "the unreliable narrator" — have become part of the standard critical lexicon. For this new edition, Wayne C.Booth has written an extensive Afterword in which he clarifies misunderstandings, corrects what he now views as errors, and sets forth his own recent thinking about the rhetoric of fiction. The other new feature is a Supplementary Bibliography, prepared by James Phelan in consultation with the author, which lists the important critical works of the past twenty years — two decades that Booth describes as "the richest in the history of the subject."


Linda Seger

In this book, Linda Seger shows how to create strong, multidimensional characters in fiction, covering everything from research to character block. Interviews with today's top writers complete this essential volume.